社宅公共藝術計畫發表 EXHIBITION


FROM

10 / 17 / 2025(五)

TO

10 / 26 / 2025(日)
14:00-19:00


at

北屯北屯社宅(北屯區江興街85號)
梧棲三民社宅(梧棲區文化路一段86號)


下滑 scroll down


社宅建築體作為現代城市聚落的最小單位,不只是蒼白的政策,也並非只是回應當代特定族群的需求,實際上揭示的是關乎整座城市的未來。

在現代城市中,有別於過去人類文明的聚落發展模式,在實體維度的空間與時間裡,互不相識的我們是否準備好一起空降在一個個新的垂直聚落?城市與人的關係如何因為這樣快速的變化而因應、調節?「未來學家」作為面對未來城市的準備,向未來探究、同時向過去學習,城市正是人類世界的縮影,我們是否可以以寓言的方式對城市政策的未來進行一種奇觀式的幻想?直面這近未來的預言……

臺中市社會住宅第二期公共藝術計畫A案
主辦單位:臺中市住宅發展工程處
執行單位:好伴社計 加 LINE!


藝術家在這裡 
Meet the Artists 

石孟鑫 Shih Meng-Hsin
《天臺》
柏星景觀 Bo-Xing Landscape
《轉手印緣-梧棲社宅人情交易所》

郭柏彥 Kueh Peh Gan 《實用家具》
唯劇場 V.Theatre Group
《房間裡的紙箱》
張程鈞 Chang Cheng Chun
《曬被》

張媛珍 Jane Chang
《小矮人地圖大發現!》

許家禎 Syu, Jia-Jhen
《情事絕品 feat.北屯社宅》

劉凱榛 Liu Kai-Zhen
《思念是一張柔軟的毯》

魏肇儀 Wei Zhao-yi
《你做夢》

未來圖書室Future Library

Artists’ Diary

Media
談「有機生活培養皿」:我們對公共住宅的想像是什麼?|溫語晨(上篇)(下篇)

Archive公共討論-有機生活培養皿


Zine-to-print (coming soon)

無論時空背景如何改變,一場交換背裡存有著什麼亙久不變的本質?Beyond the shifting tides of time and circumstance, what is the immutable essence that an exchange reveals?


《轉手印緣-梧棲社宅人情交易所》 Transcripts of Kindness – The Platform of Mutual Well-being at Wuqi Social Housing

裝置|不鏽鋼、木、壓克力版|2025 Installation|Stainless Steel, Wood, Acrylic Board|2025
梧棲社宅 1F物管大廳 Lobby, 1F, Wuqi Social Housing

在梧棲社宅,住戶所共用的 Line 群組,不僅是訊息交流的日常場域,更是一個二手物品流轉與贈與的平台。簡短的文字訊息取代了口語交談,構築出一種「喧囂中的寧靜」。然而,這些交換並非出於利益,而是源自一種互惠與共好的心態。交易往往迅速而有效,卻總有一方缺席於現場,只留下那件物品靜靜等待,成為唯一的連結。

在任何時代,物品流轉皆需一個中繼點,只是形式各異。對於梧棲社宅的居民而言,那個中繼點正是管理室裡一張不起眼的塑膠桌。它曾默默承載無數次的互惠交換,卻未曾留下任何紀錄,猶如一道道被忽略卻確實存在的痕跡。

本作品便以居民的交易行為與這張桌子為發想,設計出一座既為「中繼站」亦為「紀錄站」的裝置。居民在交換物品時,透過一冊特製的雙聯收據簿,先後蓋上從裝置中取下的印章。印章的抽象符號既屬於社區的共同語彙,亦因轉動方向而生出多重解讀,讓符號既是個人的、又是公共的。當印記滲透於第二聯紙頁並被社區保留時,居民的善意與分享便化為可見的軌跡,永續留存在這個社群之中。

Within the Wuqi Social Housing community, the residents’ Line group is more than a channel for daily exchanges of information; it has become a platform where second-hand items circulate as acts of gifting. Here, fleeting text messages replace spoken conversations, creating a paradoxical atmosphere—at once noisy and quiet. These transactions, however, are never driven by profit, but by reciprocity and a spirit of mutual care. The exchanges unfold swiftly and efficiently, yet often one party remains absent in the physical space, leaving only the object itself—quietly placed or retrieved—as the sole witness of the encounter.

Across time, the transfer of goods has always required an intermediary point, though its form has varied. For the residents of Wuqi, that intermediary is nothing more than the plain plastic table in the management office. This table has silently borne the weight of countless exchanges, though none have ever been recorded—traces that exist, yet remain invisible.

This work draws inspiration from both the residents’ acts of sharing and this modest table, transforming them into an installation that is at once a “relay station” and a “recording station.” In each transaction, participants imprint a custom two-part receipt book using stamps drawn from the installation. The abstract motifs inscribed upon these stamps compose a symbolic vocabulary unique to Wuqi Social Housing: while they hold a standard meaning, their interpretation shifts with orientation, allowing for both personal and collective readings. As the ink seeps into the second layer of the receipt, kept within the community archive, the residents’ gestures of generosity are transfigured into tangible marks—preserving the warmth and spirit of sharing as an enduring memory of this place.

柏星景觀 Bo-Xing Landscape創立於2015年的初春並於2020年始涉足於公共藝術領域。我們秉持藝術始於必要性(Art emerges from necessity)的理念,以景觀規劃及建築設計專業為基底,將公共藝術的創造過程視為一場面對社會環境及空間上的營造。從對議題性的探求,銜接至概念轉化再到創建出與基地景觀環境相和的作品;我們不執著於形式上的追求,而是期望透過此一過程,在每一處創作節點的探詢中,找到能持續行走在當代的公共藝術姿態。